Urbanist and author Alain Bertaud of NYU talks about his book Order without Design with EconTalk host Russ Roberts. Bertaud explores the role of zoning and planning alongside the emergent factors that affect the growth of cities. He emphasizes the importance of cities as places for people to work and looks at how preferences and choices shape cities. Bertaud also reflects upon the differing perspectives of urban planners and economists.
In the first week of April, both cities marked milestones: Manhattan got the nation’s first congestion-pricing plan, courtesy of the state legislature, while Chicago elected its first black woman as mayor.
New York City’s transit system badly needs improvement, but Gelinas argues that this congestion-pricing plan is effectively a state money grab. Meantime, Mayor-Elect Lori Lightfoot is a political outsider, but Renn writes that she has an opportunity to change the “Chicago Way” of doing business.
Urbanist Alain Bertaud joins Michael Hendrix to discuss how urban planners and economists can improve city management.
Bertaud’s book Order without Design: How Markets Shape Cities argues that markets provide the indispensable mechanism for cities’ growth. The book is a summation of what Bertaud has learned in a lifetime spent as an urban planner, including a stint at the World Bank, where he advised local and national governments on urban-development policies.
Previously, Bertaud worked as a resident urban planner in a number of cities around the world: Bangkok, San Salvador, Port Au Prince, Sana’a, New York, Paris, Tlemcen, and Chandigarh. He is currently a senior research scholar at New York University’s Marron Institute of Urban Management.
Bauhaus was the art school in Germany that created the look of the twentieth century. We just live in it: loving its white-box affordability, or hating its stripped, blank, glass-and-steel uniformity, the world around. It’s the IKEA look in the twenty-first century, the look of Chicago skyscrapers and now Chinese housing towers, the look of American kitchens and probably the typeface on your emails, all derived from the building school in Germany between the world wars. It was the first omni-art school that taught painting and architecture, made new-look tapestries and chairs. It was the less-is-more school that made ornament very nearly a crime. It stood, and stands, for a few big ideas still hotly contested.